When Blake Lively materialized at the Met Gala on Monday, it felt like a scene straight out of “Gossip Girl”: Here was a formerly beloved and banished socialite, returning to the fray to salvage her status. Watching the red carpet livestream, one could almost hear a collective gasp from the crowd when she appeared, a 13-foot train of pastel fabric trailing her every move.
It was the best reaction that Lively’s PR team could have hoped for.
Hours before her surprise outing, news broke that Lively had reached a settlement with Justin Baldoni, putting an end to the explosive legal battle between the “It Ends With Us” costars just two weeks before their federal trial was set to begin.
Lively, who made her name playing the flighty, glamorous Serena van der Woodsen in “Gossip Girl” before ascending to movie stardom, initially bore the brunt of the blame in the conflict. She was accused of wresting creative control of 2024’s “It Ends with Us” from director and costar Baldoni, and was painted online as an out-of-touch diva.
However, Lively’s claims about Baldoni soon dredged up a darker side to the drama. In a multimillion-dollar lawsuit, Lively accused Baldoni of repeated sexual harassment. She also alleged that Baldoni and his publicists masterminded a digital smear campaign as retaliation for her calling out on-set behavior that she viewed as inappropriate or unsafe. (Baldoni filed his own $400 million lawsuit against Lively, which was tossed by a federal judge in 2025. The judge also reprimanded Baldoni’s legal team for making claims that were “legally frivolous and factually baseless.”)
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Several of the pair’s coworkers, including actor Jenny Slate and producer Alex Saks, appeared to corroborate Lively’s complaints in text messages that emerged in court filings: Slate called Baldoni a “false ally” and refused to do press with him, while at one point during filming, Saks pushed to replace Baldoni as director. Even Taylor Swift weighed in as her friend Lively’s reputation crumbled: “It’s like a horror film no one knows is taking place,” Swift texted Lively in 2024, just before Lively filed her legal complaint against Baldoni.
“Oh but they will,” Lively replied.
Oh, and we do. The feud between Lively and Baldoni has captured countless headlines and imaginations in the year-plus since the flurry of lawsuits began, with everyone from Hollywood stars to feminist media critics to right-wing agitators throwing their hot takes into the ring.
But now that the case is settled, Lively’s Met Gala move signals she’s ready for a new chapter.
‘As clear a statement as you can make’
Evan Nierman, CEO of the global PR firm Red Banyan, told Business Insider that Lively’s well-timed return to the Met Gala was a masterful stroke of image rehabilitation.
“Lively’s team clearly knew how to capitalize on the moment,” Nierman said via email. “After four years away from fashion’s biggest night and months of relentless scrutiny, she returned to a red carpet she has always commanded to signal that the crisis is over, and the comeback is underway.”
Although she hadn’t attended since 2022, Lively was long considered one of the queens of the Met Gala, alongside red carpet favorites like Zendaya and Rihanna. Her 2018 custom Versace gown, laboriously embellished to honor the “Heavenly Bodies” theme, is often cited as one of the event’s best looks ever.
In 2026, Lively reminded everyone why her name is a staple on best-dressed lists. Once again attending as a guest of Donatella Versace, she wore an archival Atelier Versace piece from spring 2006 — the year after Lively’s breakout role in the feel-good tween drama “The Sisterhood of the Traveling Pants.” Lively told Vogue that she liked how the pastel-colored princess gown “has its own history, and has stood the test of time.”
“Every year I am a different version of myself than the last, so to be able to stand in the version of myself that I am today — and all the experiences I’ve had — in strength and confidence is important to me,” Lively said.
Lively never mentioned Baldoni or their legal battle, but swanning down the red carpet with a 13-foot train sent her message loud and clear. She has a history, and she has stood the test of time.
That Lively has a history with the Met Gala in particular is not a small detail. She could have launched her post-Baldoni comeback at any star-studded awards show, or perhaps staged a low-key paparazzi walk with Swift, as other famous women have. But as Nierman pointed out, this is the most talked-out red carpet of the year, where a celebrity’s only job is to prove they’re both stylish and wanted.
The Met Gala is famously invite-only — and despite the chummy tone of the joint statement from Lively and Baldoni’s lawyers, which explicitly recognized that “concerns raised by Ms. Lively deserved to be heard,” Baldoni has never been among the Anna Wintour-approved crowd. This was tailor-made to be Lively’s moment, and her moment alone, to reassert her place in Hollywood’s upper echelon.
“When you’re trying to move past a crisis, you need to give the public a reason to move on, and something new to talk about,” Nierman said. “Stepping onto that carpet in Versace hours after the legal fight ended is about as clear a statement as you can make.”
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